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(Please note that I had a couple mistakes in my
citation that have now been corrected. So if you looked to mine a model, be sure to
double check yours against the MLA guidelines.)
Ryman, Geoff. 253: a novel for the Internet about London Underground
in seven cars and a crash. 14 Sept. 1998 <http://www.ryman-novel.com/home.htm> .
252 passengers and a driver on a doomed subway ride. Each text describing the
characters is exactly 253 words long. Each character is described in terms of
outward appearance, inside information, and what they are doing or thinking. Ryman
tells us that he set this "novel for the Internet" on the day he learned
his best friend was dying of AIDS.
Well designed, the "Journey Planner" provide a reader's topography to the
cars and the journey. Each car also has its own map, depicting who is in a given car
and where each is sitting; graphic/textual headers and footer links on each page keep the
reader oriented to where she is in the text. One may choose to read in a linear or
hypertextual fashion, following the order of the characters, beginning with the driver,
and moving character by character, or one may follow the hypertextual links which connect
characters to one another. Unlike some hypertexts, the introduction suggests this
one comes to an a conclusive end, a subway crash. "Thrill seekers" are
urged by Ryman to click to the end of the novel.
So far, I find myself interested in the effect of the montage. I am reading now
hypertextually, exploring relationships between characters, but I may start again and try
reading characters in the order of presentation. I also find the form satisfying; it
is always interesting to see how a writer works within the constraints of form, whether a
traditional or nonce form. This is a very different reading experience from Joyce's Afternoon,
in which the reader's topography is not mapped out.
Of additional interest, Wendy Grossman of Salon magazine
writes in a review of 253.
In possibly the first-ever Web-site-to-book deal, HarperCollins has signed to release
the site[253] as a printed book (Ryman calls it a "print remix") in February
1998 -- perhaps with the original electronic version bundled on disk.
As I can so often say as I read new hypertexts, I have not encountered anything quite
like this before. Given my exploratory reading, I think it ambitious and engaging.
(reviewed 9/15/98 mak)
temp link 9-16-98 Notes |