UNIT I - Introduction to Terminology and Anatomical Terms |
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Anatomy – the study of the structure
and function of the human body; it is one of the oldest basic medical
sciences, dating back to ancient Egypt Kinesiology - the study of the body in motion Physiology – the
medical science that studies the chemical and physical processes of body function Dance Science – anatomical and kinesiological principles and concepts as applied to the study of dance; this also includes understanding some physiological processes as it relates to the health of the dancer Dance Somatics – the integration of
mind and body; the study of how neuromuscular coordination affects
movement quality on a fundamental level. |
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Body Systems |
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Musculoskeletal System: |
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The dancer works each day with the interplay between the bones and the muscles that collectively make up the musculoskeletal system. Skeletal System - The mobile framework of bones that provides rigid support for the body |
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Bones provide joints or levers for motion potential but can only move via
muscles acting on the bones and joints
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Muscular
System - Collective muscle fibers that
contract to move body parts, including organs There are 3 types of muscles:
The dancer is
primarily concerned with skeletal muscle because it provides the movement
of the body through space and provides muscle contraction for postural
stability. |
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Neuromuscular System :This is the interplay of the muscular system and the nervous
system that is needed for dancer to have controlled motion. The nervous
system must provide conscious and unconscious control to the muscle so
that the dancer can intend to move and then accomplish that motion with
control. |
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Nervous
System - The
complex nerve systems of the body that enable the body
to react to continuous changes in
its internal and external environments. The nervous system controls
and integrates the various body activities. The structure of the nervous system has 2 parts: |
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1) Central Nervous System (CNS)– brain & spinal cord. 2) Peripheral Nervous System (PNS) – nerves in the limbs & trunk that carry information in/out of the brain.
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The nervous system has 2 functional components: 1) Somatic - composed of somatic parts of the CNS & PNS and provides sensory and motor innervations (connections) to all parts of the body except some internal organs. The somatic nervous system transmits touch, pain, temperature & position. The somatic nervous system permits voluntary and reflexive body movements from contraction of skeletal muscles. 2) Autonomic – Fibers that innervate (connect) smooth muscle, cardiac muscle, and glands. There are 2 parts to the autonomic nervous system:
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Developmental Patterns
: The body systems, though intact at birth, must develop into systems that can accomplish complex tasks. As a child grows the body becomes more able to perform complex movements. When an adult experiences new movement patterns the interplay of bone, muscle, and nerve must occur and the adult must explore and learn how to efficiently contract muscles and move joints to accomplish the desired movements. |
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(illustration credit; Making Connections) |
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The brain and nerves provide
control to the muscles as they contract to move the joints. When an individual thinks about
moving the nervous system is activated to prepare the body for the desired
response. Other components are important for
movement and must be developed or learned: Control,
Balance, Timing, Effort
Some basic body motions become
reflex-like because we do them so often. We may not consciously think
about performing the activity. These could be things like: brushing your
teeth, walking, standing up from a chair. These activities may be
challenging for a young child or an adult who has suffered a stroke. They
may have to learn these activities from practice. New or more complex movements like a dancer might be asked to perform can require careful integration between the bones, muscles, and nerves, as well as the intention of thought and vision to accomplish the movement pattern successfully. Practice will be needed to “teach” the body to combine all aspects of the movement correctly to get the desired motions. Good technique, adequate practice, and a healthy body can all help to speed up the process of learning new movement patterns. Even an adult dancer that has completed adolescent development can still continue to refine coordination and abilities for complex movement patterns.
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Anatomical Position |
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| Description of Anatomical Position: | |||
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The science of anatomy describes all aspects of motion from the frame of reference of the anatomical position. The anatomical position is described as:
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Body
Alignment: A general term describing the position of the body in space and the relationship between the joints. |
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Plumb Line:
An imaginary line that follows nature's law of gravity and enables one to
measure variable and relative positions. |
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Plumb line as it falls through the body's center line in a standing position
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Anatomical Terms: Description of Direction & Location of Movements in the Body |
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Anatomical Planes:
Anatomical descriptions are based on 3 imaginary planes that pass through
the body when it is in the anatomical position. |
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1) Sagittal Plane- this is the plane (front to back) that passes through the body dividing it in right and left halves from top to bottom (black plane in picture to left) 2)
Coronal Plane - this is the vertical plane (up & down) that passes
through the body dividing it into front and back halves from top to bottom
This is also called the Frontal Plane. (gray plane in picture to left) 3) Horizontal Plane - this is the horizontal plane (side to side) that divides the body into upper and lower halves. This is also called the Transverse Plane. (Pink plane in picture to left)
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Terms
of Relationship & Comparison
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| These terms are used to describe the relationships of parts of the body in the anatomical position or to compare the relative position of two structures with each other. | |||
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Superior Inferior Ex. - The shoulder is superior to the knee. Anterior
Posterior (nearer to the back) Ex. - The toes are anterior to the heels. Medial Lateral (away from the middle)
Ex.
- The big toe is on the medial side of the foot.
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Proximal (nearer to the trunk) Distal
(farther from the trunk)
Superficial (nearer to or on the surface) Deep (farther from the surface) Ex. - The muscles of the upper leg are superficial to its bone (the femur).
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Other
Important Terminology: Ipsilateral - on the same side of the body
Ex. -
The left elbow and left knee are ipsilateral. Contralateral
- on the opposite side of the body
Ex. - The right hand and the left knee are contralateral. Combined
Terms - two terms can be combined to indicate a direction.
Ex. - inferiomedial means
toward the feet and toward the middle, in a diagonal direction.
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Connection
to Dance Center of Gravity (COG) - that point about which all parts exactly balance each other. The COG is the point of integration between the upper and lower halves of the body; in the pelvis just in front of the upper part of the sacrum at about 55% of the height of the individual. (Sweigard, Human Movement Potential)
Dancers are constantly developing and refining their orientation to gravity, the space around them, and sense of body alignment when learning movement. Movement is an interplay between gravity, muscle action, body alignment, and one's COG. |
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Range of Motion
(ROM) - the degree of flexibility in a joint which varies among individuals depending upon degree of tightness in surrounding
structures Picture to left illustrates extremes of ROM often normal for dancers in the ballet style of dance. |
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Core Support - the integration of postural muscles in the torso that support the movement and weight of the limbs. Effectively using one’s core
support minimizes a dancer’s dependence on superficial muscles.
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Body
Types:
There are three general body types that and are present at birth and persist with you throughout your lifetime.
They are genetic and form the basis for one's adult body structure. They
are: |
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1)
Ectomorph - thin body build, the limbs tend to predominate over the trunk |
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2)
Mesomorph - muscular or sturdy body build, the limbs and the trunk are
more in balance |
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3)
Endomorph - heavier body build, the trunk tends to predominates over the
limbs |
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Relevance to Dance:
Even though body type determines an affinity for certain types of movement; increasing one's movement capacity need not be restricted by body type. Body type offers an individual access to unique movement qualities, as well as forming a basis from which to develop additional movement skills as a dancer. Bodies that train for dance develop a strength, flexibility, and fitness level that are above and beyond these very basic body types. |
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| This completes Unit I. Return to Blackboard to proceed to Unit II. | |||